Category Archives: Sabrina Louise Andielle

Personal Reasoning for the Writing of Hour of Change

My, this thing has walked a long way. What started out as a simple altercation has transformed into the first installment of the chronicles of a she-demon who kills Yahweh. At first, the idea of eliminating the only accepted god for most of society was too strong for me. Maybe it was because I myself was dealing with the decision to step out from under Yahweh’s name and all the powers which it can produce. But I have been religiously single, no longer married to Yahweh, for about six months, and that means there’s a little distance between me and my final decision to leave. I am not sitting in as much heartbreak around the separation.

With distance has come clarity; I can begin the process of bringing art to life. The subject of leaving one who has been with you (good times/bad times) for your entire life in so many ways and directions is emotionally a personal one. I know that I am pushing the envelopes of traditional themes when I put a true name to the artistic slab of marble named God. I find myself backing down when people try to tell me who it is that I’m writing about. This is why learning structure and grammar are very important for my intention of delivery. Though many say they want art to imitate life, it is the life that they live which they want to be creatively displayed for the entire world. Freedom of speech, like all other freedoms, is not free. I’m paying a cost to stand up and say that I believe that we not only can live without Yahweh as our God, but Yahweh needs to die for all the crimes against humanity Yahweh has committed.

This is what Hour of Change is about. This is the first in the telling of how Yahweh was murdered and the Maverick religion (which has been trying to take off since the days before Jesus, who also tried teaching the Maverick religion) was able to finally grow branches on the trunk of the Tree of Life. Those who know me, already know that I plan on presenting the case for Maverick religion in detail much later. Until then I will show how we can kill this God.

For now, the theme is: Hell Yeah, Yahweh Needs to Go. To be fair, I have not set this up as a three hundred page strawman; instead, I have given many arguments for staying under Yahweh. I am quite aware that some people need to remain under Yahweh during their final days the way Yahweh will need them during his closing ones. As I said in the beginning, I have had to consider strong reasoning for staying in order to make my decision to leave valid in my eyes. With said validity. I am able to stand on what others call Spirituality and I call Maverick religion.

The question of Hour of Change is not then, will Mow defeat Yahweh? I have just spent four hundred words telling you that eventually, she will. The question is, why does Mow want Yahweh dead so badly? She craves his death and whenever there is an objection to this desire (which is not her conflict, I’ll talk about conflict later) she shut it down immediately. It is only after she fails that first couple of times that she decides that maybe she needs to listen to the genius of others in order to accomplish her goal and motivation.

At first, I was going to tell this in First-Person Limited but that changed; I really want people to see the entire picture of leaving Yahweh. I want people to think to themselves on points that I present in this fantasy novel. My focus as a writer is to write the best story by remaining within guidelines; to follow the readers’ expectations as far as a sound structure and format are concerned. I want the basics to be covered, including trust in me as a storyteller and wordsmith, and then with the second installment, I will focus on my craft as a novelist. So, this is my way of saying, don’t expect great prose and narration; those things will come as I establish my brand. Right now I want to plant the seeds for being the individual who brings the R.P.F. Factor to the Kill Shot Agenda with the most simpleton simplicity in order to balance a duality society. Then and only then can Maverick religion thrive.

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Sabrina Louise Andielle
Crow Crew

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Filed under Fantasy manuscript, Fiction Manuscript, mythology, Sabrina Louise Andielle, Storyteller's Journey, The Chronicles of Mow Yen, Uncategorized, Writing

Hour of Change & Its Theme

When I first sat down and decided that I would have a she-demon from Saturn as my protagonist, my son declared that I was reaching. “No one will be able to connect with a demon protagonist, mom.” He said. But the more I’m working on Hour of Change, the more I see that Mow’s want of being an autonomous goddess, living her assigned divine purpose as handed to her by the great Unnamed and Unlimited, is allowing me to think people will be cheering her on- she-demon or not.

I believe that’s what we all need if not want. To no longer be under the watchful eye of a god who is more vengeful and spiteful than the angriest and most violent human. We needed a war god at one point, but we’re trying to ascend to a different consciousness and that means the god of yesterday will have to be released. Problems can not be solved at the same frequency they are created.

Those who have known of the real Yahweh, they will state that he is the god of war. His campaigns are written in at least the Bible. His commands are ruthless; more ruthless than the Roman Empire during the height of its sprawling throughout the known world during Ancient times or more ruthless than the American slave owners of recent memory. Yahweh did not and does not care about the tears and human fragility. You will do what Yahweh instructs or you die. Hell, Hell was even invented to maintain the order of Yahweh.

Is there any wonder why people are tossing the spiritual baby out with the religious bathwater? I never claimed Hour of Change to be a religious treaty stating reasoning for leaving Yahweh’s side. What I have stated is that this is a mythology, a fantasy; both of which have more wiggle room than any religious text explaining the disconnection between Yahweh and the people. If one takes the time to read the entire story of how Mow Yen began her campaign against El Yahweh, one will see that they have much in common with the she-demon.

Mow is trying to figure out who is this individual who she has vowed loyalty to during the 31,000 years of her life. What has she done in his name? How much blood has been spilled by her hand? How little he shares about himself and why is it that he keeps her in confusion and darkness? These are some of the same questions that some of the “real” followers of Jehovah/Yahweh are asking of the priests, pastors, and each other.

There is no denying that some of the people who vow allegiance to Jehovah/Yahweh are not the most loving and history has proved they aren’t always the most tolerant.

Like Mow, many people are leaving the temples of Jehovah/Yahweh and starting to seek answers and relationship with the Unnamed and Unlimited. That which cannot be identified other than by its fruits.

Unlike Mow, our decent from the temples of Jehovah/Yahweh aren’t so direct. Mow is informed that she is the one who is to kill and replace El Yahweh on the order of the Unnamed and Unlimited one. She has a team to assist her (or she will) and she is clear that she will fulfill the prophecy; not because she has too, but because she wants too, badly. Her motivation is the promise of being the custodial god of the entire Milky Way- Mow wants to “run the world.” Which if we as individuals stay in our own lane then we will become the god of our universe working directly with the unnamed and unlimited; for we too want to rule the world. Everyone wants to be a chief no one wants to be an Indian.

The theme of Man v God has been done so often that it has a position among the only five themes that books, short stories, and verbal tales have. This is why when my son told me that no one would connect with Mow, I kept going. I respect my son’s opinion, he’s an up and coming storyteller in his own right meaning I expect big things out of him. With that said, I respect my gut and the tried and true expression of sizing up with a god a lot more. I don’t care if I have to break Mow characterization down a million and one times, I stand by the fact that Mow is a representation of the driving force behind the exodus of the followers of Jehovah/Yahweh. The church is dying and more people are dropping their swords (holy texts) and going in search of peace (spirituality).

Will the church return to its glory days? I don’t know; if you go by my writings- no. But I left the church a long time ago.

Thanks for Listening!

Sabrina Louise Andielle

Crow Crew</

P.S. I have a Patron Account/Page now! You can find me under my name Sabrina Louise Andielle. Hopefully I'll see you there soon.

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Who is Young MowYen?

It is my belief, every author has a favorite character or two; sometimes three, if the author can get away with it. For me in this installment of The Mow Yen Chronicles, Young Mow Yen is my favorite. She is spicy and witty and her refusal to back down causes her body to be destroyed. She is Mow Yen but the eight-year old version. She is an intricate part of the story and damn near inseparable part of the plot.

We first meet Young Mow in an intensive and unique situation. She is in her imagined and controlled part of Welnikov, a canyon that is thrice America’s Grand Canyon. She starts with drama and ends with drama, pulling Mow Yen in deeper and deeper the entire time. But what does she represent in this mythology? Well her personal message: we shouldn’t attempt to live without balancing the feelings of the inner child with the adult and adolescent selves. The inner child is the one who normally leads as the adult is too cautious and the adolescent too self-absorbed. When the inner child isn’t provided and protected there is disharmony in the essence of the Self.

Young Mow is no different, just visible and audible to everyone. She knows Welnikov because she was sentenced to it when Po Li was exiled to the watery planet. Young Mow’s dialogue is so rapid. She is quick in her responses to Mow; and anyone else who wishes to attempt cornering her. Yet she is a character in a story about Man v. God and therefore she needed to be over the top in her antics. She is nearly killed before she actually dies and when she returns to the battlefield she is still bloody. As Mow takes refuge moments before Young Mow loses her body, Young Mow is standing there boldly in the line of fire.

But it is more than Young Mow actions and conversation of characterization which makes this little dynamite my favorite. Young Mow sticks with Mow even . . . well, you have to read all the situations that this inner child is put in because of Mow. Young Mow is a survivor like most urchins. She knows the Ary Shack inside and out. Not an easy feat, considering Ary is the stronghold of the entire planet Earth and therefore the Milky Way. She is a keeper; not implying that she should be allowed to stick around, but she keeps secrets about the entire planet since like most orphaned little ones she has traveled wide and far, witnessing all kinds of trouble. She is the one who must lead Mow in the task of gathering the fifteen Elohim, after the Hour of Change and starting with Aquarius Beginning.

The weight on this child’s shoulders is heavy. A burden that only a she-demon child from the Third Ring of Saturn can handle. There are hints to her powers, which have never been bind, unlike Mow’s who El Yahweh tied up as a safety step. She even accomplishes a task that was given to her over 25,000 years ago. Dependable, intelligent, and combative she is an amazing addition to this cast. I’m so looking forward to you meeting her and her childish yet mature antics.

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Sabrina Louise Andielle

Crow Crew

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Why is Welnikov Watery?

Sitting down beginning the Conception Stage of Hour of Change, the first word that came to me was Welnikov. I didn’t know if this noun would become the name of a character, setting, or magical item; I just knew that it was to be used. I felt it in my writer’s gut. After much internal debate, and breaking the word down, I came to the conclusion that this would be a well-like structure. The one thing that wells have, living ones, thriving ones, is water. So this was a place with water. Oh, that was too good! So good that I said forget one setting within the setting- it would be the setting. Later, once the story came, I understood why it was water that I associated the name with. Water is representative of consciousness and it first takes overpowering one consciousness before overpowering one god.

The theme of HoC is Man (she-demon) v. God (custodian) and Mow goes through a lot before she gets to the point that she can confront El Yahweh, her army to his. The first thing we see upon Mow’s arrival at Welnikov is her fear of water. Who isn’t initially frighten of their awareness, when changing their individual relationship with their god? Mow has drowned during previous lifelines and she almost drowns as Queen Elizabeth IX, this is how powerful this she-demon is. Mow doesn’t let on right away to Slone or the reader why she is afraid of water, but she does let it be known that she’s not thrilled with the stuff. Exiled, she can do nothing about the location she’s been sent to. Therefore, she deals with it and enters Welnikov just as she begins dealing with the fact that El Yahweh wants her dead.

To get to dry land, Mow must enter the inners of the planet and that means traveling the watery veins of Welnikov. To get to higher mental grounds when confronting the god (whether spiritual, emotional, or physical) in one life, the inner tunnels of the mind must be explored and claimed then the confidence to independently stand will manifest. There is no short cut to this truth. Must go within in order to change, or challenge, without.

Another powerful symbol is the enchanted moat surrounding Ary Shack. This thing is huge! One would think that it would provide protection to the stronghold Ary, instead, it is just a large body of water that surround. Another way of explaining how when it comes to getting to the stronghold of the mind one only has to jump into the consciousness which surrounds it. Of course, when the shack is overtaken, the moat waters represent the temperament of Ary’s new residents. With chunks of ice floating in the moat, Mow knows that Zeus and Hecate have finally overpowered the shack. It isn’t coincident that this is also the period when Mow is at an intellectual and emotional low which is about to become lower. The consciousness becomes almost breakable when we are at those types of lows.

One last example of this water and consciousness connection. While Mow is attempting to shut the angelic portal, El Yahweh attempts to drown her. It is the first time that El Yahweh actually attempts to kill Mow himself, but it makes sense that he would strike first when she is in an element (situation) that frightens her. Whenever we are facing off with our god the first battleground between you and it is the consciousness, for it is the home to the Spirit. And if you can survive a beating while in your true essence then with time you will overpower, compromise, or submit at your choice. Remember, Jesus said: find, dismay, overcome, rulership.

These are some of the reasoning behind Welnikov being a water planet. It’s all about the mind and Welnikov is one big density of Earth’s fallen/forgotten Elohim, former keepers of the collective mind. Without her knowing it, the fight was brought to an equal battlefield. A blessing Mow won’t be able to acknowledge until later in the series.

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Sabrina Louise Andielle

Crow Crew

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Selecting Greek and Latin Word Combos.

I have never taken a Latin or Greek language class in my life. I don’t even know if the words I selected and combined mean what I intended, even though they are easy on the ears and eyes. I mean other than the name of the main setting planet, Welnikov, and all of the characters’ name, I have selected a Latin or Greek combination of words for minor settings. There is NaoGarrie; this is the location of Hecate’s home. Ary Shack; the center piece on the stage. And even the Pentahydra Highway; an inner planetary highway system which leads to the dry areas in Welnikov. The list goes on (which is included in this post,)but my reasoning doesn’t.

I will not sit here and pretend that I have a love for the Grecianizing or Latinizing of non-Latin or non-Greek words. But I will say, plainly put, I wanted to try something that was familiar yet personally difficult. Most of us have so become comfortable with Grecianizing or Latinizing words that when we speak of nouns which have underwent the knife, we don’t know they have unless we do a little research. Well, considering the theme and message of Hour of Change,
I wanted to give a heads up regarding the names I selected.

I wish that there was more to it. But consideration for my reader and an attempt at flexing some linguistic muscle were my only motivation. Now the second installment, which is currently in the conception stage will linguistically lean heavy on the Chinese language and some of their mythology. So, I will have to shift mental gears when I get deeper in development.

But that is something that will not be solidified for another year to sixteen months, so, I can still play with the words I put together. To share with you some of my creativity now, here are the Grecianized and Latinized words I created for Hour of Change.

Paleolympho: Home of the dead. PALEO (Ancient) OLYMPHO (Home of Greek gods)
Nigelmin: Underworld of Welnikov. NIGEL (dark) MIN (short for Minimum)
Porthe Hole: Location of the Collective Energetic Source. POR (Small opening)
NaoGarrie: Home of Hecate. NAO (Temple) GARRIE (all Sabrina’s imagination)
Melano Angelus: Home of the Lunar Angels. MELNA-O (Black) ANGELUS (angels)
Ary Shack: Permanent stronghold location of Gaia’s Core and current location of the Milky Way. ARY (a place where something is kept)
Pentahydra Highway: Inner watery road with many connecting veins, located through the five continents of Welnikov. PENTA (five) & Hydra (water)

These are all settings within Hour of Change. Took me a while to narrow my word selection down, but I think I did a pretty good job.

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Sabrina Louise Andielle
Crow Crew

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Reintroduction of Sabrina Louise Andielle & This Here Blog.

There is so much I wish to share with you. I believe that we all have Power (clarity, choice, confidence) and that with Power comes Freedom (ability to evolve without outside influence.) I believe that Jesus brought the smack down on Supernatural forces which wanted to keep the thought beings of Spa Planet: Earth disempowered and slaved. It is my wish to continue his work with my mythologies and fantasies.

The recently completed 94,000 words mythological project is, The Chronicles of Mow Yen: Hour of Change. This is will be one of the two projects I will focus on immediately. The manuscript for Hour of Change is written and going through final editing, but things are final enough and I know enough that I can begin sharing the Behind the Scenes thoughts and reasoning for this project. Hour of Change pits a she-demon from Saturn, Mow Yen, against her adopted father who happens to be the custodian god of the Milky Way, El Yahweh. I also will be presenting explanations for my currently published short story Again: From Gatekeeper to Planet Earth. You can got to Smashwords.com and purchase it (only cost .99 cents) to follow along if you like.

If I get around to it, as I’m learning how to be a prolific writer, I will discuss The Tapestry Chronicles: Born with Power of the Divine; currently out of print in American, but I believe that it can be downloaded from some book websites. Born with Power of the Divine is my first published novel. Not a mythology, but a fantasy; with time I will rewrite and complete it as it was supposed to be the first in The Tapestry Chronicles series.

I will not discuss ideas or works still in development or creation. I’ve learned from actually engaging in the creation process that things are always on shifting sand to the very end. I will not discuss the process of being a professional mythologist and writer of fiction. I’m still in the infant stages of my career to do such a thing. I will not vent or argue. Once I’ve gotten to the point that I am sharing my reasoning or giving an explanation on this blog, I’m pretty set in my creation.

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Sabrina Louise Andielle
Crow Crew

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